HAMLET AS A REVENGE TRAGEDY
HAMLET AS A REVENGE TRAGEDY
“Revenge is a powerful, natural and dangerous emotion”.
Shakespeare’s Hamlet is a complex and
multifaceted play bringing together many themes. Shakespeare was a groundbreaking
pioneer in his time and wrote plays that were totally different from anything
the world had ever seen before. He explored the human spirit and what happens
when it is challenged. He also tested the limits of language, inventing new
words and phrases.
“The first really popular revenge tragedy was The Spanish Tragedy by Thomas Kyd.”
Shakespeare wrote Hamlet between 1599 and
1601, and the play tells the story of Prince Hamlet. Hamlet, in particular, has
a lot of "most famous" things in it. It is Shakespeare's most famous
play about Shakespeare's most famous character Hamlet, and it contains
Shakespeare's most famous line:
"To be, or not to be, that is the question: whether 'tis nobler in the mind to suffer The slings and arrows of outrageous fortune, Or to take arms against a sea of troubles and by opposing end them”
Historical background
The Revenge Tragedy is especially associated
with Seneca, an ancient Roman dramatist. Seneca produced the tragic effect of
horrifying incidents, bloody actions. This type of tragedy reached in England
during the Elizabethan period. Kyd opened a new chapter in the history of The
Revenge play. Shakespeare also adopted the dramatic tradition of the Revenge
tragedy. His Hamlet follows the major convention of Revenge tragedy. The story,
from which its material is drawn, has a dominating revenge theme. The exciting
plots of this play fulfill the need of the theme of revenge. In a revenge
tragedy, the role of the ghost is very important.
Revenge
in Hamlet
There are three plots in Shakespeare's Hamlet: the
main revenge plot and two subplots involving the romance between
Hamlet and Ophelia, and the looming war with
Norway. The following is a guide to the main plot, with a look at all
the significant events on Hamlet's journey for vengeance.
Basics elements of revenge tragedies
Most revenge tragedies share some basic
elements:
·
A play within a play
·
Mad scenes
·
A vengeful ghost
·
One or several gory scenes
·
Most importantly, a central character who has a
serious grievance against a formidable opponent.
·
This central character takes matters into his
own hands and seeks revenge privately, after justice has failed him in the
public arena.
Hamlet
is definitely a great example of a typical revenge tragedy of the Elizabethan
theatre era.
Characters Involved in the Revenge Plot of
Hamlet
Hamlet
Ghost
Claudius
Gertrude
Polonius
Laertes
Horatio
Characteristics of a revenge play and their
application in “Hamlet”
1. Such play deals
with the theme of murder or some crime to the person of the state.
2. The ghost of
the dead appears to tell about the identity of the killer
3. In a
traditional revenge plays the dramatist introduces physical difficulties in the
way of revenge, but in an advanced revenge play, inner conflict is given prime
importance.
4. The revenge
tragedy is found to be full of struggle, murder, bloodshed, adultery, and
treachery.
5. In revenge play, the effects of revenge are serious on both the avenger and avenged.
6. One important
part of all revenge plays is that after the revenge is finally decided upon,
the tragic hero delays the actual revenge until the end of the play.
7. The language is
generally astounding and bombastic.
8. The duty is
accepted as something sacred.
Key
Revenge Plot Events
1. The ghost of Hamlet's father appears to
Horatio, Marcellus, and Barnardo. Horatio begs the apparition to speak, but it
refuses. Horatio reports the encounter with Hamlet.
2. The Ghost appears to Hamlet and they leave
to speak in private.
A.C. Bradley says, “The ghost in Hamlet strikes the imagination as the representation of the hidden power, the messenger of the divine justice upon the expiration of offenses.”
3. The Ghost reveals that he is, in fact, the
ghost of Hamlet's father. The revenge plot is established with the Ghost's
utterance, "So art thou to revenge when thou shalt hear". He
tells Hamlet that he was poisoned by his brother Claudius as he slept in his
orchard and, if Hamlet is not already feeling the desire, the Ghost makes plain
the demand: "Revenge his foul and most unnatural murder".
4. To be certain of Claudius's guilt, Hamlet
decides to re-enact the murder of his father with the production of The Murder
of Gonzago (known also like the play within the play or The Mousetrap). If
Claudius is disturbed by the play it will reveal his guilt. In Hamlet's words:
The play's the thing
Wherein I'll catch the conscience of the king.
5. Hamlet stages The Murder of
Gonzago and Hamlet and Horatio agree that the agitated Claudius has behaved
like a guilty man during the production.
6. Hamlet has an opportunity to kill
the unattended Claudius in his chamber, but, after soliloquizing on the matter,
he decides not to take action because Claudius is praying. Killing Claudius in
prayer would not really be revenge because he would go to heaven, "fit
and seasoned for his passage".
7. Hamlet kills Polonius, mistaking him for
Claudius as he hides behind a curtain.
8. The Ghost appears again to Hamlet. He is
angry because Claudius is still alive. He tells Hamlet he has returned to.
Do not forget, This invitationIs but to whet thy almost blunted purpose
9. Claudius banishes Hamlet to England for the
murder of Polonius. He sends Rosencrantz and Guildenstern to spy on Hamlet's
actions and makes plans to have Hamlet assassinated on English soil.
10. Horatio receives a letter from Hamlet
reporting that he is returning to Denmark, thanks to pirates who had captured
his boat and released him on the promise of future reward.
11. Claudius hears of Hamlet's return and he
conspires with Laertes, Polonius's son, to murder Hamlet. Laertes will use a
poison-tipped sword during a fight with Hamlet, and Claudius will have a
poisoned drink at the ready.
12. Hamlet stabs Claudius and forces
him to drink the poisoned wine. The revenge plot is thus concluded. Hamlet
himself then dies from the wound received during the fight with Laertes.
T.S. Eliot has said that the play lacks
objective correlativity that is to say Hamlet shows confused emotions. As far
as I think in Prince Hamlet the main problem is search for reality.
CONCLUSION
It can be easily understood that
Hamlet very closely follows the regular conventions for all Elizabethan
tragedies. First Hamlet is faced with the fact that he has to avenge the murder
of his father and since there is no fair justice available, he must take the
law into his own hands. The ghost of his father appears to guide Hamlet to
Claudius and inform Hamlet of the evil that Claudius has committed. Then Hamlet
constantly delays his revenge and always finds a way to put it off until he
finally does it. Hamlet also follows almost every aspect of Thomas Kyd’s formula
for a revenge tragedy.
At the end of the play, Horatio was the only
one to survive, although if it wasn’t for Hamlet, Horatio would have committed
suicide when he said,
“I am more an antique Roman thana Dane. Here’s some liquor left.
Horatio had killed himself.

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